Raising Sand

Music : Raising Sand

Click here for your free Ebay Registration!

blaaa

Get your Ebay account today!

Raising Sand

from: Rounder




See Larger Image
Availability: Usually ships in 24 hours

List Price: $18.98
Your Price: $13.49
You Save: $5.49 (29%)
Prices subject to change.

Average Rating:  out of 5 stars
Sales Rank: 77







Binding: Audio CD
EAN: 0011661907522
Label: Rounder
Manufacturer: Rounder
Number Of Discs: 1
Publisher: Rounder
Release Date: October 23, 2007
Sales Rank: 77
Studio: Rounder




Go to your Ebay Login for online-trading!






Editorial Review:

Album Description:
The musical collaboration of the decade, Raising Sand is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. Despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. This spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious West Texas country, and the untapped potential of the folk-rock revolution.

Supported by the unparalleled musicianship of Marc Ribot, Dennis Crouch, Mike Seeger, Jay Bellerose, Norman Blake, Greg Leisz, Patrick Warren, and Riley Baugus, Plant and Krauss -- as both solo and harmony vocalists -- tackle an intriguing selection of songs from such tunesmiths as Tom Waits, Gene Clark, Sam Phillips, Townes Van Zandt, The Everly Broth! ers, and Mel Tillis. Raising Sand finds Robert Plant and Alison Krauss exploring popular music's elemental roots while still sounding effortlessly, breath-takingly contemporary.

The song 'Killing the Blues' is featured in the new JC Penney American Living Campaign.

Amazon.com:
Perhaps only the fantasy duo of King Kong and Bambi could be a more bizarre pairing than Robert Plant and Alison Krauss. Yet on Raising Sand, their haunting and brilliant collaboration, the Led Zeppelin screamer and Nashville's most hypnotic song whisperer seem made for each other. This, however, is not the howling Plant of 'Whole Lotta Love,' but a far more precise and softer singer than even the one who emerged with Dreamland (2002). No matter that Plant seems so subdued as to be on downers, for that's one of the keys to this most improbable meeting of musical galaxies--almost all of it seems slowed down, out of time, otherworldly, and at times downright David Lynch-ian, the product of an altered consciousness. Yet probably the main reason it all works so well is the choice of producer T Bone Burnette, the third star of the album, who culled mostly lesser-known material from some of the great writers of blues, country, folk, gospel, and R&B, including Tom Waits, Townes Van Zandt, Milt Campbell, the Everly Brothers, Sam Phillips, and A.D. and Rosa Lee Watson. At times, Burnette's spare and deliberate soundscape--incisively crafted by guitarists Marc Ribot and Norman Blake, bassist Dennis Crouch, drummer Jay Bellerose, and multi-instrumentalist Mike Seeger, among others--is nearly as dreamy and subterranean as Daniel Lanois's work with Emmylou Harris (Wrecking Ball). Occasionally, Burnette opts for a fairly straightforward production while still reworking the original song (Plant's own 'Please Read the Letter,' Mel Tillis's 'Stick with Me, Baby'). But much of the new flesh on these old bones is oddly unsettling, if not nightmarish. On the opening track of 'Rich Woman,' the soft-as-clouds vocals strike an optimistic mood, while the instrumental backing--loose snare, ominous bass line, and insinuating electric guitar lines--create a spooky, sinister undertow. Plant and Krauss trade out the solo and harmony vocals, and while they both venture into new waters here (Krauss as a mainstream blues mama, Plant as a gospel singer and honkytonker), she steals the show in Sam Phillips' new 'Sister Rosetta Goes Before Us,' where a dramatic violin and tremulous banjo strike a foreboding gypsy tone. When Krauss begins this strange, seductive song in a voice so ethereal that angels will take note, you may stop breathing. That, among other reasons, makes Raising Sand an album to die for. --Alanna Nash









Availability: Usually ships in 24 hours


Related Items:
     see more

Related Items:


Disc 1:
  1. Rich Woman
  2. Killing the Blues
  3. Sister Rosetta Goes Before Us
  4. Polly Come Home
  5. Gone Gone Gone (Done Moved On)
  6. Through the Morning, Through the Night
  7. Please Read the Letter
  8. Trampled Rose
  9. Fortune Teller
  10. Stick with Me Baby
  11. Nothin'
  12. Let Your Loss Be Your Lesson
  13. Your Long Journey


Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Raising Sand
This is an outstanding album. Amazing blend of voices that I wouldn't have imagined. Best buy for me this year.



Rating: 5 out of 5 stars - breathtaking
* Plants voice is breathtaking-better than ever; the music pieces are deeply soulful, almost spiritual in nature. The moment I cracked the wrapper and slipped the CD into my casette, I loved it. ...



Rating: 5 out of 5 stars - One particular reason this record is outstanding...
One particular reason this record is outstanding, apart from the tight band and amazing vocals from both Krauss (whose voice I've always loved) and Plant (who I've never been a fan of until now) is T-Bone Burnett's song selection. Specifically, his recognition of former Byrd Gene Clark's songwriting talents is on full display on two tracks, "Polly Come Home" and the overwhelming rendition of "Through the Morning, Through the Night". The latter was on Repeat for two days after I got this CD and it moved me the 50th time I heard it as much as it did the first.

Can't recommend this album enough. Enter with no preconceptions and find some spectacular music and performances.



Rating: 5 out of 5 stars - Surprising Result
* Others have given plenty detail describing the album itself, how the pairing of these two artists works and assessments on the songs themselves so I won't go into length on those. What I will say is that as a hardcore rocker dating back to my concert days in the 70's, I didn't have the highest of expectations for this album. But, being open minded and having great respect for Robert Plant, I thought I'd give this one a listen. Boy was I pleasantly surprised by their end result. Although my wife isn't as open minded as I am and doesn't really care for this type of music, I can say the opposite is true of me in that I have listened to this over and over. I loathe country music but this isn't really country. I love rock music and lean more toward Alice in Chains, when I'm in the mood for something a little different but yet still totally enjoyable, this one fits the bill. It may not be for everyone or even for you, but maybe you'd be surprised like I was and actually fall in love this this album. ...



Rating: 5 out of 5 stars - AWESOME
I AM SO EXCITED THAT I BOUGHT THIS CD. THIS HAS BECOME ONE OF MY FAVORITE CD'S ALREADY.

Sand Raising


read more customer reviews on Raising Sand


Browse for similar items by category:


 



Go to your Ebay Login for online-trading!


Recent Entries
Baby Shopping  Books Shopping  Digital Camera Shopping  Notebook Computers Shopping  DVD Movies Shop  Major Brand Electronics  Video Games Shopping  Garden shop and Outdoor equipment  Gourmet Food Shop  Wellness and Healthcare Shop  Fashion Jewelry  Kitchen and Housewares  Pop Music Store  Plasma TV  Software Store  Apparel, Shoes, Underwear  Sports Clothing  Tools and Hardware Store  Toys Store  College Posters and Shirt  Customer Reviews  Discount Shopping 



Pop Music Reviews





Alienware's flagship gaming laptop, the Area-51 m9750, has plenty of appeal for high-end gamers, but the alien head aesthetic seems dated, and newer components are right around the corner.

"The idea that creativity is vital to success is not widely accepted."

-Mark Dziersk , VP of Design, Herbst LaZar Bell



Thanks to a rich set of features and some great new additions, Evite maintains its stature as the top service for issuing e-invitations —but competitors are catching up.






$21.99



Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh

Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh

$9.99



Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing--until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source. --Bret Fetzer
$8.99



What sounds like the high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching, and quite funny. Granted, it's wish fulfillment all the way (when was the last time you saw a president who was truly presidential?), but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, The American President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tentative but heartfelt romance. Of course, his job gets in the way--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith, and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fall for her. One of the best unsung romantic comedies of the '90s. --Mark Englehart

by Marc Shapiro

Average customer rating: ISBN: 1550224670

by Amy; Parker, Sarah Jessica Sohn

Average customer rating: ISBN: 0752265059

by vogue

Average customer rating: ISBN: B000V81CGW
$10.99



The tagline emblazoned across the top of this latest WWF album's cover reads, "All New WWF Superstar Themes That Rock!" And on any compilation where songs by Limp Bizkit and Marilyn Manson are unremarkable for their fast pace and fury, it can be safely said that all of the songs do "rock!" Careful work has gone into matching songs to the performers, and the opportunity to listen to this album outside the context of WWF shows means that a fan can live the fantasy any time he chooses, all day long. Even Vince McMahon's theme strengthens the role he plays in the WWF's plot: Dope's "No Chance" talks in the first person about a stupidly angry boss, and connecting McMahon with this song is smart because everybody hates their boss on some level, and this song only reminds the listener of McMahon's part in the drama. Along with "No Chance," some of the other numbers on Forceable Entry are new covers or remixes of wrestlers' theme songs. Here, this generally means a new version with dirtier guitar work throughout it. This will only bother the listener if he was really attached to the original version of one of the themes, such as Chris Jericho's "Break the Walls Down" (Sevendust), or Undertaker's "Rollin'" (Limp Bizkit). Regardless, if you know the songs played upon the entrance of these wrestlers, then you know which themes you like and which ones you don't--and you know whether or not you need this album. --Mark Huntsman
Raising Sand
Shopping  Created at Wed Dec 3 06:05:30 2008