Peter Gabriel 3: Melt

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Big Blue Ball


: :Big Blue Ball is the long-awaited, much-anticipated collection of stand-out tracks culled from the all-star, pan-global collaborations that took place over three years of Peter Gabriel s legendary Recording Week gatherings at his state-of-the-art Real World Studios in the English countryside. Produced by Peter Gabriel, Karl Wallinger (of World Party, Waterboys) and Stephen Hague (Pet Shop Boys, OMD), it s a nonstop stream of poignant, sterling performances by a truly stellar lineup of artists-- including Gabriel, Wallinger, Sinead O Connor, Natacha Atlas, Iarla O Lionaird and James McNally (both of Afro Celt ...

by: Peter Gabriel, Sinead OConnor, Karl Wallinger, Various Artists



So


: essential recording:So is generally regarded as a peak in Peter Gabriel's recording career, notable both for its solid set of songs and lush production. For Gabriel, who'd been putting his music in theatrical contexts ever since his days with Genesis, the modern sound of So (coproduced with Daniel Lanois) was a dramatic conceit that effectively played off the organic roots of many of its songs. The album's big hit was 'Sledgehammer,' the English rocker's somewhat stilted take on the Stax/Volt style of rhythm & blues. Gabriel is much more powerful on his ...

by: Peter Gabriel



The Most Relaxing Piano Album in the World...Ever!


: essential recording:So is generally regarded as a peak in Peter Gabriel's recording career, notable both for its solid set of songs and lush production. For Gabriel, who'd been putting his music in theatrical contexts ever since his days with Genesis, the modern sound of So (coproduced with Daniel Lanois) was a dramatic conceit that effectively played off the organic roots of many of its songs. The album's big hit was 'Sledgehammer,' the English rocker's somewhat stilted take on the Stax/Volt style of rhythm & blues. Gabriel is much more powerful on his ...

from: EMI Classics



Hit


: :A judiciously-selected two-CD compendium of Peter Gabriel's finest moments, Hit offers a far more generous windfall than can be found on the only previous Peter Gabriel best-of selection, the 1990 Shaking the Tree. The devil, after all, is in the detail, particularly on the second disc (self-deprecatingly entitled Miss), which really traverses the whole gamut of Peter Gabriel's globally-visioned artistry. It includes recent soundtrack work (the haunting 'Cloudless' from Long Walk Home: Music from the Rabbit-Proof Fence), material from 2002's sterling Up ('Signal To Noise', featuring a compelling vocal from the late Nusrat ...

by: Peter Gabriel



Shaking the Tree: 16 Golden Greats


: :Peter Gabriel has never been one to stand on tradition. The former Genesis singer bends and hammers fashionable pop forms to his liking (à la his massive MTV-fueled hit 'Sledgehammer') or uses the obligatory soundtrack assignment to explore the world music that has been his obsession for decades (as in 'Zaar' from Passion). This 16-track anthology explores the width--and, crucially, depth--of Gabriel's rich post-Genesis music, from the post-prog obliquities of 'Solsbury Hill' and 'Here Comes the Flood' to the African musical and political concerns of the title track (available only on this collection) ...

by: Peter Gabriel



Shall We Dance?


: :This remake of the 1996 Japanese film that set unlikely box office records in its native country turns more on a sexy, cinematic dance revivalism than the charms of stars Richard Gere and Jennifer Lopez. While its soundtrack never veers far from that noble task, it gratifyingly jolts its familiar rumbas and tango rhythms with a few modern musical kicks all its own. Pussycat Dolls' crisp, sensuous take of the standard 'Sway' may subtly juice tradition, but Gotan Project's 'Santa Maria' gives those familiar Latin rhythms a downright savory electronica makeover. Producer/arranger John ...

by: Peter Gabriel, Gabriel Yared, Jamie Cullum, Various Artists



Passion


: essential recording:To call Passion a pivotal recording in the development of world music would be a significant understatement. What makes Passion so undeniably important is its global reach and expert handling of what could've easily become polyglot babble. Vocalists Nusrat Fateh Ali Khan, Youssou N'Dour, and Baaba Maal bring strong Middle Eastern and African voices to the project, and Balkan textures come via the ney flute and doudouk. But Gabriel is the glue, offering electronic ambient flows between the multiple streams. Gabriel also brings something even less tangible: an awesome visual imagination ...

by: Peter Gabriel



Pasion


: essential recording:To call Passion a pivotal recording in the development of world music would be a significant understatement. What makes Passion so undeniably important is its global reach and expert handling of what could've easily become polyglot babble. Vocalists Nusrat Fateh Ali Khan, Youssou N'Dour, and Baaba Maal bring strong Middle Eastern and African voices to the project, and Balkan textures come via the ney flute and doudouk. But Gabriel is the glue, offering electronic ambient flows between the multiple streams. Gabriel also brings something even less tangible: an awesome visual imagination ...

by: Fernando Lima



Security


: essential recording:After three eponymous discs noteworthy for their thematic richness and musical experimentation, Peter Gabriel yielded to conventional wisdom by actually titling this 1982 successor. In every other respect, however, Security was another stride beyond the progressive-rock terrain Gabriel had explored from Genesis forward. Most crucially, he goes deeper into the heart of world music and further investigates the African sources first invoked on the prior album's magisterial track, 'Biko.' Security is steeped in polyrhythms, sculpted with synthesizers, and detailed with percussive textures set to a low boil beneath Gabriel's yearning vocals. ...

by: Peter Gabriel



Peter Gabriel 3: Melt


: essential recording:An epic production highlighted by the clockwork undertones of 'Intruder' and the Afro-prog-rock of 'Biko,' the third in Peter Gabriel's trilogy of eponymous solo titles is a watermark of the former Genesis singer's career. Drummer Jerry Marotta's tight global-groove templates drive the edgy guitar pastiches of Robert Fripp, David Rhodes, Paul Weller, and XTC's Dave Gregory. Yielding the enigmatic 1980 hit 'Games Without Frontiers,' the Steve Lillywhite-produced opus travels the dark psychic corners of its narrator with a then-profoundly futuristic sound that's no less compelling than Bowie's Scary Monsters, which was ...

by: Peter Gabriel





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Usually we're fans of Logitech's gaming mice, but its highest-end G9 Laser Mouse is expensive, overly complex, and lacks the ergonomic thought we've come to expect. If you like to brag about dot-per-inch limits, perhaps the G9's 3,200dpi laser will be enough to sell you, but for the price, we expect the design to match.

While compact and convenient, Panasonic's SD-based SDR-S150 camcorder doesn't make the quality cut.





$10.99



You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam Graham
$9.99



The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more "rehash" than "remake," as good ol' Georgiaboys Luke Duke (Knoxville) and his cousin Bo (Scott) are frequently upstaged bythe General Lee, the Confederate-flagged '69 Charger that they drive, jump, race, and fly in as they smuggle moonshine for their Uncle Jesse (Willie Nelson). Meanwhile, cousin Daisy Duke (Jessica Simpson) is reliably available to model her short-shorts (aka "Daisy Dukes") and awesome figure (and let's face it, Simpson's talents pretty much begin and end right there), while corrupt honcho Boss Hogg (Burt Reynolds, who should know better) recruits a local NASCAR star to advance his wily scheme of converting Hazzard County into a strip mine. Director Jay Chandrasekhar (Super Troopers) manages to mine some good-natured humor from the movie's oval-track detour and a few colorful supporting players (notably Kevin Hefferman as the Duke's pal Sheev). Otherwise, consider yourself warned: The Dukes of Hazzard is shameless Hollywood product at its most forgettable, trafficking in shameless white, rural Southern stereotypes. If you can make itto the end, there's a blooper reel to reward your endurance. --Jeff Shannon

DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi


by Michael-Anne Jones, Marie Morrale

Average customer rating: 4.5 ISBN: 0590024493

by Barbara Hanson

Average customer rating: ISBN: 1560323469

by Matt Netter, Nancy E. Krulik, Jill Matthews

Average customer rating: 3.5 ISBN: 0671713841
$13.57

Steve McCurry

Peter Gabriel 3: Melt
Shopping  Created at Wed Dec 3 06:04:42 2008