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Off the Wall


: essential recording:Given the pace of Michael Jackson's post-Thriller release schedule, it's striking that Off the Wall appeared between two albums with his brothers, Destiny (1978) and Triumph (1980), on which the twentysomething phenomenon was also fully engaged. Aided by richly detailed but not overdone production, Off the Wall redefined how much Michael might do. Tracks like 'Don't Stop 'Til You Get Enough,' 'Rock with You,' the title cut (all Top 10 singles), and 'Burn this Disco Out' not only consolidated his dance-floor power, but showed just how soulful and varied his vocals ...

by: Michael Jackson



The Point Of It All


:Album Description:There is a tradition in classic Black music that goes back to the smooth crooning of Sam Cooke, the earthy gritty sound of Otis Redding, the lyrical beauty of Curtis Mayfield and the unfiltered intensity of Donny Hathaway. It's a combination of church-rooted hallelujah praisin' and tell-it-like-it-is storytellin'. Few contemporary artists are equipped to carry the torch with any sense of authenticity. Anthony Hamilton may be the sole-indeed, soulful-exception. Simply put, Anthony has proved to be the real deal, as audiences discovered during his countless road treks performing night-after-night before packed crowds ...

by: Anthony Hamilton



Stadium Arcadium


:Album Description:Anthony Kiedis of the Red Hot Chili Peppers calls the band’s first new album in four years, Stadium Arcadium, the most-anticipated album of the spring, 'the best thing that we’ve ever done…. There’s this weird kind of sublime, subliminal undercurrent that is suggestive, in a spirited way, of our earliest records.' Exuding all the passion, energy and funked-up rock that have made the Red Hot Chili Peppers one of the most popular bands in history, the 2-CD Stadium Arcadium, simply put, will knock your socks off. :Four-year career hiatuses followed by sprawling ...

by: Red Hot Chili Peppers



Barry White - All-Time Greatest Hits


: essential recording:For those music buyers who have enjoyed Barry White's music since the early 1970s but may not be devoted enough for the three-CD box set Just for You, this 20-track compilation brings together all of White's major chart hits between 1973 and 1979, along with a couple of entries from his Love Unlimited Orchestra. White's distinctive vocal style--a deep, resonant baritone-bass that oozes sex appeal--was the icing on the cake for those hits; superlative string arrangements (courtesy of the late Gene Page) encased White in a lush setting, while White's hand-picked ...

by: Barry White



Moondance


: essential recording:Van Morrison went a long way towards defining his wild Irish heart with his first two classic albums: the brooding, introspective Astral Weeks (1968), and the expansive, swinging Moondance. If the first was the work of a poet, its sequel was the statement of a musician and bandleader. Moondance is that rare rock album where the band has buffed the arrangements to perfection, and where the sax solos instead of the guitar. The band puts out a jazzy shuffle on 'Moondance' and plays it soulful on 'These Dreams of You.' The ...

by: Van Morrison



Whitney Houston - The Greatest Hits


:Album Description:UK edition of the tabloid queen/gifted vocalist's career retrospective. Featuring a different tracklisting than the domestic, this version features four tracks not available on the US version, 'RunTo You', 'Count On Me' (duet with CeCe Winans), 'Greatest Love Of All' (Club 69 Mix) and 'I'm Your Baby Tonight' (Dronez Mix) but only has 35 tracks where the US has 36. 2000 release. Standard double jewel case. :For an artist who only released four proper albums in a 15-year career, it's astounding to recall how many hits Whitney Houston was able to achieve. ...

by: Whitney Houston



Mariah Carey - Greatest Hits


: :This has the best collection of songs :These days she's fodder for tabloid writers and late-night comics, but way back in the '90s Mariah Carey ruled the charts. This two-disc collection offers up evidence why, for better or worse, Mariah's five-octave, pop/R&B stylings set the diva standard. Greatest Hits culls its offerings from Carey's five albums on Sony (she is now signed to Virgin), and you get all the facets of her platinum-plus sound. From the soulful smolder of her 1990 debut 'Vision of Love' (still one of her best tracks) to ...

by: Mariah Carey



Live: Hope At The Hideout


: :Mavis Staples, who marched and sang and protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960 s, saw her steadfast dedication to equality and unwavering sense of hope validated on Tuesday, Nov. 4th 2008. She writes: 'To come up in a time when there was slavery, racism, the KKK, and Jim Crow, I'm just so grateful to still be here to enjoy this historical time in our lives. It is so surreal, so completely overwhelming. This young black man has inspired and brought the country together. There's ...

by: Mavis Staples



Struggle from the Subway to the Charts


: :Mavis Staples, who marched and sang and protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960 s, saw her steadfast dedication to equality and unwavering sense of hope validated on Tuesday, Nov. 4th 2008. She writes: 'To come up in a time when there was slavery, racism, the KKK, and Jim Crow, I'm just so grateful to still be here to enjoy this historical time in our lives. It is so surreal, so completely overwhelming. This young black man has inspired and brought the country together. There's ...

by: Nuttin But Stringz



Forrest Gump


: :Forrest Gump (1994) is one of the most successful films ever made, winning Tom Hanks his second successive Best Actor Oscar (he won the previous year for Philadelphia) as well as claiming the Best Picture Oscar and many other awards and nominations, including several for music. A unique fable of American life from the 1950s to the 80s, the film blends comedy, drama, war, romance and groundbreaking special effects into a social and political portrait of the passing years, all seen through the eyes of the intellectually challenged but immensely likeable Forrest Gump. ...

from: Sony





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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.





$21.99



Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh

Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh

$9.99



Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing--until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source. --Bret Fetzer
$8.99



What sounds like the high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching, and quite funny. Granted, it's wish fulfillment all the way (when was the last time you saw a president who was truly presidential?), but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, The American President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tentative but heartfelt romance. Of course, his job gets in the way--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith, and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fall for her. One of the best unsung romantic comedies of the '90s. --Mark Englehart

by Marc Shapiro

Average customer rating: ISBN: 1550224670

by Amy; Parker, Sarah Jessica Sohn

Average customer rating: ISBN: 0752265059

by vogue

Average customer rating: ISBN: B000V81CGW
$10.99



The tagline emblazoned across the top of this latest WWF album's cover reads, "All New WWF Superstar Themes That Rock!" And on any compilation where songs by Limp Bizkit and Marilyn Manson are unremarkable for their fast pace and fury, it can be safely said that all of the songs do "rock!" Careful work has gone into matching songs to the performers, and the opportunity to listen to this album outside the context of WWF shows means that a fan can live the fantasy any time he chooses, all day long. Even Vince McMahon's theme strengthens the role he plays in the WWF's plot: Dope's "No Chance" talks in the first person about a stupidly angry boss, and connecting McMahon with this song is smart because everybody hates their boss on some level, and this song only reminds the listener of McMahon's part in the drama. Along with "No Chance," some of the other numbers on Forceable Entry are new covers or remixes of wrestlers' theme songs. Here, this generally means a new version with dirtier guitar work throughout it. This will only bother the listener if he was really attached to the original version of one of the themes, such as Chris Jericho's "Break the Walls Down" (Sevendust), or Undertaker's "Rollin'" (Limp Bizkit). Regardless, if you know the songs played upon the entrance of these wrestlers, then you know which themes you like and which ones you don't--and you know whether or not you need this album. --Mark Huntsman
Forrest Gump
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