Mar Dulce

Music : Mar Dulce

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Mar Dulce

by: Bajofondo




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Availability: Usually ships in 24 hours

List Price: $13.98
Your Price: $11.49
You Save: $2.49 (18%)
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Average Rating:  out of 5 stars
Sales Rank: 11983







Binding: Audio CD
EAN: 0602517735828
Label: Decca
Manufacturer: Decca
Number Of Discs: 1
Publisher: Decca
Release Date: July 15, 2008
Sales Rank: 11983
Studio: Decca




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Editorial Review:

Album Description:
Decca and Surco Records are proud to announce the new release of 'Mar Dulce' (Sweet Sea) from Bajofondo, the Argentine-Uruguayan collective led by the two-time Academy Award and Golden Globe-winning composer of Brokeback Mountain and Babel, Gustavo Santaolalla. (The US version of Mar Dulce includes 'Boldozas Majados' featuring NELLY FURTADO and JULIETA VENEGAS adding her vocals to a new version of the international hit single 'Pa' bailar' entitled 'Siempre Quiero Mas') Bajofondo's previous self-titled release sold over 300,00 copies and was awarded the Latin Grammy for Best Pop Instrumental in 2003. As on their earlier recordings, 'Mar Dulce' sees Bajofondo's seven virtuosic musicians lead listeners through a sensual soundscape of tango, trip-hop, drum & bass and pop elements that redefine the essence of tango for the 21st century. This newest installment in the Bajofondo oeuvre features guest performances by Elvis Costello, Nelly Furtado, Julieta Venegas, Gustavo Cerati, Ryota Komatsu, La Mala Rodriguez, Santullo, Juan Subira and the final recorded performance by legendary Uruguayan tango diva Lagrima Rios. The irrepressible energy of 'Mar Dulce' also translates live. The Financial Times describes a Bajofondo performance at London's Barbican Center like this: 'DJ Juan Campodonico triggered drum loops and samples that cross-fertilised with the more traditional tango ensemble of violin, bandoneón...and double bass, all of which were brilliantly played by masters of their instruments. The crowd went wild for it, invading the stage at the end and cheering for more with a standing ovation...' Bajofondo is comprised of Gustavo Santaolalla on guitar, percussion, and vocals; Juan Campodónico on programming, beats, samples and guitar; Luciano Supervielle on piano, keyboards and scratch; Javier Casalla on violin; Martín Ferrés on bandoneon; Gabriel Casacuberta on upright bass and electric bass; Adrián Sosa on drums; and Verónica Loza as VJ and on vocals. The new album, Mar Dulce, was recorded in real time. All the members played together in the studio as if they were a rock or a jazz group, which was a radically different approach from the first album. Mar Dulce was recorded in Buenos Aires, Montevideo, Los Angeles, New York, Tokyo and Madrid. The multiplicity of locations reflects the cosmopolitan attraction of Bajofondo, as well as the eclectic list of guest artists including the extraordinary British singer and composer Elvis Costello, Spanish rapper Mala Rodríguez, virtuoso Japanese bandoneon player Ryota Komatsu and several Rio de la Plata artists whose origins cover the entire gamut from traditional to vanguard. Uruguayan artists participating range from the great Lágrima Ríos (this would be her last recording) and guitarist Toto Méndez (musical director of Alfredo Zitarrosa's quartet) to electronica duo OMAR and vocalist Fernando Santullo, ex-Peyote Asesino, a band that also included Juan Campodónico. Argentine artists include Gustavo Cerati, the frontman for Soda Stereo, the most popular rock group in Latin America in the 1980s, and Juan Subirá, keyboardist and composer of Bersuit, one of the most popular bands in Argentine rock, who makes a surprising appearance on Mar Dulce as a singer, revealing another facet of his talents.

People en Español:
Although the Argentinean Gustavo Santaolalla has become famous in recent years for his film work, he is also one of the most important Latin music producers of the last two decades and has produced albums for Café Tacva, Juanes, Molotov, Dividido, and Julieta Venegas, among others. Now the musician makes a comeback as the brain behind Mar Dulce, the commendable second album from Bajofondo Tango Club. (Santaolalla is also a member of the group). As on its first album, this group mixes electronic music with tango, but this album is far from being a mere copy of its predecessor. For Mar Dulce’s 17 songs, Santaolalla invited some of the most creative singers of the moment to contribute performances such as 'El mareo' (Gustavo Cerati), 'Fairly Right' (Elvis Costello), 'Slippery Sidewalks' (Nelly Furtado), and 'Pa’ Bailar, siempre quiero más' (Julieta Venegas). --Ernesto Sánchez (People en Español People en Español)

Aunque el argentino Gustavo Santaolalla se ha hecho famoso en los últimos años por su trabajo en el cine, además es uno de los productores de música latina más importantes de las últimas dos décadas, ha producido discos para Café Tacva, Juanes, Molotov, Dividido y Julieta Venegas, entre otros. Ahora el músico regresa como el cerebro detrás del segundo disco de Bajofondo Tango Club (grupo del cual además forma parte), Mar Dulce el cual es francamente muy recomendable. Tal como la primera producción del grupo este disco mezcla la música electrónica con el tango, pero para nuestra suerte este álbum está muy lejos de ser una copia del anterior. Mar Dulce contiene 17 canciones que no le permiten distraerse o aburrirse un segundo. Además Santaolalla invitó a algunos de los cantantes más creativos del momento para colaborar en temas como 'El mareo' con Gustavo Cerati, 'Fairly Right' con Elvis Costello, 'Slippery Sidewalks' con Nelly Fustado o 'Pa’ Bailar, siempre quiero más' con Julieta Venegas, entre otros. --Ernesto Sánchez (People en Español People en Español)









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Disc 1:
  1. Grand Guignol
  2. Cristal
  3. Ya No Duele - Bajofondo, Santullo, F.
  4. Hoy
  5. Pa' Bailar
  6. Pulmón
  7. Fairly Right
  8. El Mareo - Bajofondo, Santullo, F.
  9. El Andén - Bajofondo, Ferres, M.
  10. Infiltrado - Bajofondo, Kerpel, A.
  11. Borges y Paraguay
  12. Tuve Sol - Bajofondo, Loza, V.
  13. No Pregunto Cuantos Son
  14. Baldosas Mojades
  15. Zitarrosa - Bajofondo, Tuana, A.
  16. Chiquilines
  17. Pa' Bailar -- Siempre Quiero Más


Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Pa' Bailar (Con Ryota Kumatsu) - Bajofondo - Mar Dulce - 2007
As if the tango rhythm wasn't pleaseant enough, mixing it with eletronic made this song so delicious to listen and to dance to!!!!!...Veronica (Cesar's wife)...:)



Rating: 1 out of 5 stars - disappointing
* Very disappointed. Album got great reviews but unfortunately this isn't one of them. Too disco for my tastes. Would have preferred that they follow the lead of groups like the Gotan Project. ...



Rating: 4 out of 5 stars - Tango Plugged In to XXI Century Buenos Aires (4.5 stars)
For those who are not familiar with traditional Tango nor heard any of the current representatives of its electro-forms, it worth knowing that Gustavo Santaolalla's production and leadership as well as Daniel Melingo's voice in a couple of tracks, makes this album something you ought to explore immediately.

Just like it happened with Astor Piazzolla--I'm comparing reactions to new versions of a traditional musical form, not suggesting that these guys are as revolutionary nor seminal as the great Piazzolla--any innovations performed on a genre as beloved like Tango will breed as many critics as new worshippers. I think this is equal parts respect for its traditonal forms as the unwillingness of some to accept the evolution of a powerful musical form.

That said, Bajofondo--along with Gotan Project--is a band to listen to if you are thinking of immersing yourself in the archetypal Argentine music' state of affairs. This particular album, to me, has built on their first and famous album, and taking it to a new level of depth. This is not an experiment, it is good music.

Besides Melingo's vocal contributions, there's a number of powerful tracks here, whether instrumental like Cristal, Zitarrosa or Borges y Paraguay, or thanks to some dead-on choices for vocals such as Elvis Costello in Fairly Right, Juan Subira--the song of the album--in Hoy , and Mala Rodriguez and Gustavo Ceratti's turns at the mike.

Santaolalla, as committed to Tango's classic composers as he is to exploring its outer edges, manages to keep things faithful to the mood of Buenos Aires without compromising the proverbial "pushing of the envelope." Whether you find winning two Oscars a respectable feat or not, it should say something about Santaolalla's capacity to create impressive soundscapes. As far as I'm concerned, he's the Rick Rubin of Latin America, more for his talent in recognizing the true sound of an artist than a comparison of career' successes.

All in all, if you are hooked on dancing Tango, go to Anibal Troilo, Horacio Salgan or Osvaldo Pugliese--all gods of the original form--because Bajofondo will disappoint you there. But if you were stung just as deeply by Buenos Aires and like to listen to the intricate evolution of a genre, this is a place to visit.



Rating: 5 out of 5 stars - Fun Music
* Saw this group in SF at Stern Grove. Went to the event to see Si Se (who was wonderful), thought they would be the headliners. Was surprised that this group was the headliners. They had so much energy and fun on stage. Bought the CD as soon as I left the concert, the CD is equally fun. I haven't a clue what they are saying, but I love the music!!!! ...



Rating: 1 out of 5 stars - NOT NYC MUSIC
THIS CD IS PRETTY MUCH AWFUL. I THOUGHT IT WAS GOING TO BE AMBIENT OR TECHNO EVEN HOUSE BUT NO IT'S SOUNDS LIKE SPANISH MUSIC. VERY DISAPPOINTING WHEN YOU THINK YOU ARE BUYING DANCE MUSIC.

Dulce Mar


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Alienware's flagship gaming laptop, the Area-51 m9750, has plenty of appeal for high-end gamers, but the alien head aesthetic seems dated, and newer components are right around the corner.

The rise and fall of muni-Fi (and rise again): Clearly, the largest story involving Wi-Fi in 2007 was the at-first continued growth in cities awarding contracts with no money involved on their part to have service providers build Wi-Fi networks--and the subsequent failure of these networks to be built. Starting quietly in late 2006, the market shifted for metro-scale Wi-Fi. During 2007, providers decided that bearing the full cost of a city-wide network without city contracts wasn't financially sensible.

The full scope of the low uptake rates in cities that had large portions of the network built out also became clear: rather than 15 to 35 percent of residents subscribing, just a few percentage points would put a network in the top tier. Revenue is apparently also pretty minimal even in cities like Taipei, Taiwan, the network provider for which was predicting 250,000 subscribers by the end of 2006, and had just 30,000 regular users each month at last public report in early 2007.

MetroFi started to tell cities that without an advance service commitment at a minimum level -- an anchor tenancy -- the company couldn't proceed on networks. In 2007, MetroFi lost half a dozen bids or saw contracts canceled due to this change. Its work in Portland, Ore., the biggest network it was building, won't be extended beyond current limited dimensions until additional capital or a city commitment is obtained; the city has said it won't commit to service fees, however.

Meanwhile, EarthLink lost its CEO Garry Betty in January due to cancer. A strong backer of new initiatives to change EarthLink's core business, his death was certainly one of the causes in a quick re-evaluation of the municipal wireless division. New CEO Rolla Huff pulled EarthLink out of new deals, suspended existing ones, laid off hundreds of employees while gutting the metro Wi-Fi division, and appears poised to leave currently built or underway networks, including their flagship Philadelphia effort. They may sell the division, but it's hard to see much worth in it given the current state.

In a smaller bit of news, Kite Networks, formerly known by various names, was sold by parent MobilePro to Gobility with conditions that according to SEC filings by MobilePro weren't met. Kite was once high flying, in the company of EarthLink and MetroFi as one of the major U.S. Wi-Fi network builders. Now it's still in that company, with work on its Arizona networks apparently halted. A suitor has emerged in the form of a regional telecom that specializes in the Hispanophone market (double entendre intended), and which thinks it could boost Tempe subscriptions from the current several hundred to about 300 times that number. Hope springs eternal.

And while AT&T was able to launch a Riverside, Calif., network with MetroFi handling the installation and operation, it backed out of St. Louis, Mo., due to a utility pole problem, and the bidding in Chicago, too. The Metro Connect consortiums in Sacramento and Silcion Valley were unable to raise financing despite the apparent blue-chip participation by Cisco, IBM, and Intel.

County-wide Wi-Fi was also hit again and again by providers who pulled out--CenturyTel in Pierce County, Wash., for instance--or problems with technology or utility poles. In a few scattered areas, Wi-Fi across counties has been built out, but it's not an idea whose time has yet come.

Muni-Fi isn't down for the count. While these high-profile networks in large cities and county-wide networks have mostly hit the skids, more modest networks with well-defined goals continue to be built with a focus on public safety and municipal uses in hundreds of small and medium-sized towns. Brookline, Mass., may be a good example, in which a public safety/public access network was built relatively quickly and with no reported problems.

And there's one big city success story: Minneapolis, Minn. While local provider US Internet wound up spending more than they'd intended, reports from the ground indicate that service works quite well, and subscriptions and interest are quite high. The company was able to respond almost instantly to the bridge collapse a few months ago by deploying additional mesh infrastructure to add network capacity in the area. And it says that it could reach positive cash flow in early 2008. One of their advantages? They secured a substantial commitment from the city for the services they built.

Other trends of the year gone by: Music and Wi-Fi are clearly more aligned, with the new Zune models and firmware from Microsoft allowing wireless sync (but not yet Wi-Fi purchases), and the introduction of both the Apple iPhone and iTunes touch, which allow music purchases over Wi-Fi but not synchronization. (While the MusicGremlin preceded both the Zune and iPhone/iPod options, it didn't seem to gain any market traction in 2007.)

Security continues to be a concern in 2007, although less of one as home users have clearly accepted WPA Personal, at long last, and networks are increasingly encrypted through better software from major hardware manufacturers. Wizards make encryption a no-brainer, when they work. Corporations stung by reports and by requirements from credit card issuers are also clearly protecting their networks better, although I'm sure we'll still see breaches at those firms that didn't cross every "t."

The 802.11n standard's emergence into an interim certified Wi-Fi state was also a significant milestone for faster wireless networking. Shipments of Draft 802.11n products in 2007 increased significantly, while prices dropped so much that it makes perfect sense to purchase a $50 to $80 Draft N router than a comparable G unit. Manufacturers made it clear as the year progressed that hardware sold today should generally be firmware upgradable to whatever the final, not much changed 802.11n standard is when approved in 2008.

Gadget-Fi continued on the rise, as an increasing array of devices included Wi-Fi as a connectivity option. Most notably, T-Mobile launched its HotSpot@Home service, the largest scale offering of converged cell/Wi-Fi calling. By year's end, they had four handsets for sale--two plain, a BlackBerry, and a clamshell--but subscriber numbers are unknown.

What's coming in 2008?

In-flight Internet (over Wi-Fi): 2008 is finally the year. It was supposed to be 2005. Or maybe 2002. But we should see a number of planes, mostly flying over the U.S., equipped with either in-flight Internet access or in-flight text messaging and text email. Connexion by Boeing's failure fortunately didn't discourage a half a dozen competitors who were in the R&D phase when Boeing wrote off its satellite-based Internet access venture.

AirCell, Row 44, OnAir, Aeromobile, Panasonic Avionics, and a T-Mobile consortium are among the announced or nearly announced firms with commitments or trials underway. AirCell and Row 44, focused on the U.S. market, plan to deliver Internet not voice to fuselages; OnAir and Aeromobile are working on mobile-based services, including voice, via existing cell phones and devices.

In 2008, American, Alaska, and Virgin America will launch trials over the U.S., and potentially move into production. OnAir should be expanding in Europe beyond the single French aircraft that's equipped in a trial now to RyanAir's fleet. And Aeromobile's Qantas trial could turn into real usage. There's likely action that will happen in Asia and the Middle East, too, that's not yet disclosed.

Other trends to watch

Wi-Fi in every smartphone with better integration. The iPhone was the leading edge, pun intended, offering 2.5G EDGE cell networking as part of the subscription price, along with seamless roaming to Wi-Fi networks. With RIM finally offering BlackBerry models with Wi-Fi, it's unlikely that any future smartphone model intended for serious users would lack the option.

Wi-Fi everywhere. Despite the setbacks in municipal Wi-Fi, wireless networks continue to expand, with better and better coverage found across larger areas and more locations. 2008 might be the year of hotspot saturation.

WiMax arrives. In 2008, we'll finally see production mobile WiMax in action in the U.S., and the questions about whether it works well enough and fast enough at the right price to beat current generation cell data networks, and make money for the disorganized Sprint Nextel will be answered. More certainly, Clearwire, with WiMax as its only option, will push aggressively to steal customers away from fixed, wired broadband, especially in markets with little competition.

Gadget-Fi a go-go. Wi-Fi will become an expected part of gaming consoles (already found in a few), cameras (found in crippled form in just a handful), regular cell phones (in dozens and dozens now), and music players (with more full functionality).








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Mar Dulce
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