Hard Candy

Music : Hard Candy

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Hard Candy

by: Madonna




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List Price: $18.98
Your Price: $9.99
You Save: $8.99 (47%)
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Average Rating:  out of 5 stars
Sales Rank: 251







Binding: Audio CD
Brand: MADONNA
EAN: 0093624988496
Label: WEA/Reprise
Manufacturer: WEA/Reprise
Number Of Discs: 1
Publisher: WEA/Reprise
Release Date: April 29, 2008
Sales Rank: 251
Studio: WEA/Reprise




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Editorial Review:

Album Description:
Japanese pressing of Madonna's 2008 full-length album includes one bonus track, 'Ring My Bell'. Hard Candy is a brilliant uptempo collection that adds a hip-hop beat to the cultural icon's club sensibilities, thanks to collaborations with Timbaland, Justin Timberlake, Pharrell Williams, and Nate 'Danja' Hills. Hard Candy punctuates the first 25 years of the album career of the most successful female artist in history with a musical exclamation point. 12 tracks..









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Disc 1:
  1. Candy Shop
  2. 4 Minutes
  3. Give It 2 Me
  4. Heartbeat
  5. Miles Away
  6. She s Not Me
  7. Incredible
  8. Beat Goes On
  9. Dance 2night
  10. Spanish Lesson
  11. Devil Wouldn't Recognize You
  12. Voices


Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Her best
I have to say that this is her best album. I find so many of these songs to be top notch. And I give her a lot of credit for exploring so-called "hip-hop". She clearly takes it to another level. I'm not a huge fan, by any means, but I think that in the final analysis, this is a much better record than "Music", "Confessions" or "Ray of Light."



Rating: 5 out of 5 stars - Dance album!!!
* Another great cd from Madonna,she has done it again.Great dance album the collabration with Justin Timberlake,Timbaland,and Kanye West fit beautifully!Ohh,if you ever get the chance to see her in concert,you will have a great time!!The Sticky and Sweet Tour was one of the best shows i have ever been to,and can't wait til she goes on tour again.I will definitely be there!!!Madonna the Houston show on Nov.16th was awesome!!! ...



Rating: 5 out of 5 stars - she is a legend -
madonna brings to her audience a pretty inspiring experience on strength. I am very fortunate to belong to a generation that has icons like her!
she is a legend



Rating: 5 out of 5 stars - hard candy special edition (candy box)
* excelent cd, the candy the flavor is excelent, the book macnific, is madonna is the best is the hard candy ...



Rating: 1 out of 5 stars - whoa this is really sad
I am really worried Madonna is going to have an on stage incontinence accident really soon....and those undies look HUGE!

Sad music by a person who should spend less time doing onstage impersonations of a 1980's 20yr old and more time trying to save her marriage, and Africa.

Candy Hard


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Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.

Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi

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A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
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John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

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Martina McBride has long been a champion of music as social consciousness, particularly for abused women ("Independence Day") and children. On Waking Up Laughing, her ninth album and the follow-up to Timeless, her platinum-selling album of country classics, she advances the theme while expanding it. While two songs explore the issue of unwed mothers (particularly the exquisite "Love Land," which closes the album), and another, "Beautiful Again," touches on child sexual abuse, her overall repertoire embraces the wholeness of family, and of standing strong together in the face of adversity and defeat. Musically, McBride has always proved to be an elegant thorn--her song selection is often inspired (and here, she co-wrote three tunes, including the skyscraping single "Anyway"), but she has tended to use her huge, ride-the-wave soprano full-tilt, without employing the subtle shadings that would make her even more emotionally resonant. On Waking Up Laughing she seems to have worked on the problem, yet in her second foray as solo producer, she still tends to gild the lily instrumentally--inflating string bridges between choruses, for example, or loading the opening country-pop track, "If I Had Your Name," with a Southern-rock guitar break, a listen-to-me fiddle showcase, a Celtic guitar intro, and a close that brings to mind George Harrison's sitar in play-it-backward mode. That said, she makes fine use of what sounds like a black female choir on the uplifting "For These Times," and wisely keeps the haunting break-up ballad "Tryin' to Find a Reason" (with Keith Urban's harmony vocals and guitar solo) lean and affecting. As McBride works to refine her pastiche of creativity, commerciality, and social awareness, she slyly takes more chances than one might think, all the while rallying old fans and making new ones. --Alanna Nash
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For right-minded buyers of the reissued Muppet Christmas Carol soundtrack, the odds of disappointment are about as remote as Miss Piggy's chances with Kermit. If you loved the movie, you will love the loopy mayhem of the Muppet Brass Buskers ("Good King Wenceslas"), the cartoonish malice of the black-hearted misanthropes Marley & Marley ("Marley & Marley"), and the hope-swollen harmonies of Tiny Tim and Family ("Bless Us All"), Muppeted here to hilariously humble effect. If, on the other hand, your interest in this disc has more to do with its inclusion in the way-narrow Christmas-record-for-kids category--if the spirit of the season doesn't extend, for you, to the magic of the Muppets--you may want to keep browsing, as it's a soundtrack first (overture, instrumentals, and all) and a Christmas CD second. That's not to suggest you're stuck with an un-fun disc should it land on your holiday stack without a prior screening, though. Miles Goodman's score sweeps and inspires, and certain tracks--"One More Sleep 'til Christmas" and "Fozziwig's Party"--are future classics. (Note to the right-minded: After a misstep on the original release, Martina McBride's version of "When Love is Gone" is back.) -Tammy La Gorce
Hard Candy
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